Anna Maria Farabbi , La exact light into the trip, pp.19, Aljona Editrice, 2008.
(copper cover, limited edition to fifty copies numbered and signed by the artist Frank Rizzuto, who realized in the hand is that the ligation cover of each booklet. The press, in Garamond font, you Tintoretto on paper instead of 350 grams of paper Fedrigoni.)
Is there something we are constantly in daily ambulatory glances, acknowledge the varied feelings ... something elusive, almost a breath of wind, in his tireless running, open to new sensory stimuli our body. It is not difficult to recognize the transition, the deeper the grooves are binding on our lives.
Well, it is the primordial act of the logos, its spontaneity ritual that takes the form of verse and becomes life itself, connecting us. But it is also the dire need to pass the word, the need to influence, to take a sacrifice material into concrete and then eternizzarla fleeting nature.
They succeed well, to eternizzare, Anna Maria and Francesca Farabbi Rizzuto, makers of the precious volume light precisely into the trip. Both, caught in the quasi-divine secret of "doing": the first between the semiotic tools of the poetic word; the second between the essential footings of formless matter.
is like crossing a world, readers would say, a world where the metaphysical dimension of "not-yet created" journey to become the reality of the eyes, mouth, ear. Why "The Rose Garden of Kisgas" (title of the series it belongs to the volume) is born with this need. So, the total involvement by fixity of meaning goes brilliantly graphic anchors the poetic wisdom of the ancient manual work of the "ritual of construction that demonstrates that he fully Rizzuto, sometimes smoothing copper cover, sometimes forging the rings bound pages.
The eye, therefore, is not content to enjoy the most obvious textual occasion (a trip to Namibia by Farabbi started in 1993), but scans the physicality of paper espousing verbal art and handicrafts, the sacrifice of "say" and fatigue of "doing".
In this sense, the revelation of the second poem of the collection, Passport office for the passage is enlightening:
I sit on the stone under the weight
finally sit down and finally stop my foot passengers
coincide in the sense of my
renovated beginning in kindergarten and spring these depths.
But if motherhood summarizes the feminine nature of the series, only a renewed beginning can drive two women such as Anna Maria Francesca Rizzuto Farabbi and in form work, architecture, spatial knowledge.
So much so that the intentions of the poet and artist journey parallel, but essentially complementary winding mode: the uninterrupted rites of passage that are experienced by reading the verses, meaningful sinking in the earth, or the narrative / flesh of a geographical (poetry No. VIII) which marks the fruition of the song, reflections are all dell'affascinante creative genius of those who accept it, as in an ancestral shrine, the multiple meanings human.
Treat yourself, after all, remains the only valid window of opportunity. Give yourself would you give up, have the power to cancel to re-emerge in the soul of someone else can understand and appreciate our intentions, our overwhelming generosity. This seems to be, finally, the message of this first editorial shoot in the promising "Kisgas of Roseto.
Pierino Gallo
