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TALKING ABOUT PUBLIC ART WORK IN PROGRESS

TALKING ABOUT PUBLIC ART http://www.undo.net/tapa/

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... Just because of the complexity of the elements involved are aware of the impossibility to define public art with a single formula: TALKING ABOUT PUBLIC ART project aims to collect contributions in the voice of artists, curators, architects, anthropologists, as well as the city s welcome to participate with their thoughts and express their views on theme of public art and the issues that arise as expectations rise that public art, so as to form a dynamic database that elaborated the basic elements to start a broad debate which will be further developed during a study day.

The contributions collected in voice-lasting about two minutes-may express a personal definition of public art, or recount the experience of a work of public art, but also asks that look to the future assuming that it could be a perfect work of public art in an attempt to delineate the role and the tools and modes of action for the future of public art in the city '.

TALKING ABOUT PUBLIC ART is carried out in collaboration with UnDo.Net, network for contemporary art (www.undo.net) through the network that will extend the collection of contributions and make them shareable.

All contributions received will be available online in a section of UnDo.Net and collected on CD, can be heard inside the container MOBILE PUBLIC ART WORKSHOP, located in Piazza of the Constitution, alongside the main entrance for visitors to ARTEFIERA / ART FIRST 24 to 28 January 2008.

Inside the container will be made available documentary material relating to the first stages of the work that the container is developing in the San Donato, video and pictures to help illustrate the ways and means adopted by the artists. You can also record live their contribution to the debate.

We ask a contribution to the voice (audio waw/mp3/mp4) lasting approximately two minutes (120 ") that you can send us through this web page http://www.undo.net/tapa/ which will remain active even after the expiry of ARTEFIERA / ART FIRST. Remember to precede the registration in your name and your qualifications.

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CONTAINER : MOBILE PUBLIC ART WORKSHOP (public art mobile laboratory) will be located from January 24-28, 2008 next to the main entrance of ARTEFIERA.

CONTAINER is a mobile communication device, a dynamic laboratory working with the neighborhood and a sign of works in progress, a space of production and practice of public art, active in the project “Sposta il tuo centro. Quartiere San Donato. Città di Città” (Move your center. The San Donato neighborhood. City of Cities). Inside the CONTAINER documentary materials will be made available that are relative to the first phases of the work, video and images that help to illustrate the modalities of intervention adopted by the artists with the intention of informing and of bringing concrete elements to the debate around public art. We are aware of the impossibility of defining public art with an unambiguous formula, and of the fact that our own is but one interpretation public art; we thus believe that it is very useful to collect contributions of artists, curators, architects, anthropologists, etc. to constitute a base of debate to be successively developed in the course of an open forum. For this we request from you a spoken contribution (audio file waw/mp3/mp4) with a maximum duration of two minutes (120”) in which you could give your own definition of public art, recount an experience you have had with public art (whether it is about a work you have created or one you have seen), imagine your ideal work of public art, etc. N.B. Remember to preface the recording with your name and position. All contributions will be collected on a CD and made available to the public of ARTEFIERA.

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ARTISTS

Maria Pia Cinque
A 'silent invasion but that of his impetuous Man at work, men in overalls busy between screws and bolts, which builds on CONTAINER multiply throughout the area of \u200b\u200bSan Donato, signaling their presence and their continued proliferation, the same relentless energy of creative activity. Another work is the Project Polaroid: a Polaroid that is not generated by one click on the sign but also instantaneous, decisive and accurate artist, creates the opportunity for an exchange of stories and images and emotional pretext to create a mapping entire neighborhood.

Cinzia Delnevo
The CONTAINER becomes photo set: the artist Cynthia Delnevo aims to meet and photograph people of any age who meet the exact requirement of having father and mother of a different nationality. Wandering Beauties is a project that began in March 2007 by the fruit of this "melting pot" is the union of two "beauties". portraits, created on a neutral background and obtained according to standard mode, shoot the subject from the waist up, in front, almost like mugshots. The perception by the artist, these "beauty" as a stray, uses the photographic medium to capture and capture the fleeting faces, and then allow the creation of an archive of images. Subsequently, the photographic material obtained will be made available to people who have collaborated on the project and will be exposed in a public place.

Emilio Fantin
will create a sort of contest is open to all residents of the District: "Performance Day" as a final step in a work report conducted by the artist and his collaborators. Participants are invited to propose action more "stunt" that are capable, and here for "acrobatic" means any gesture, any skills. The performers will compete against each other, to eliminate, to designate the two final contestants.

Anna Ferraro
A yellow box for letters, affixed to the container, invites passersby to collaboration in the creation of "Signs of life: the production of road signs parallel to that institution. The new sign will be vertical or horizontal, will tell the habits, needs, and relationship dynamics in general, the relationship that the people of St. Have won with their living space. As often happens in every town and every district, the inhabitants make up for the infrastructure deficit or participate in the embellishment of the environment they live in an intelligent and effective: setting up meeting places with tables and chairs, creating green spaces, planting vegetable gardens, caring for animals. These are small gestures of "appaesamento", the result of spontaneous creativity and absolutely unpredictable.

Sabrina Muzi
Bodies Festival provides an installation for green space scattered in the area of \u200b\u200bSan Donato closer to the buildings. The aim is to implement the project through active participation of the local residents: for the construction of the installation will asked them to give old clothes you no longer use, also will be given an opportunity to participate in the practical realization of the installations, involving them in this way in a real moment of celebration. Natural and "experienced" human dialogue to create a path aesthetic ideal that runs along the various selected areas: trees and clothes together, giving shape to festive areas, small oasis to stay, places where the presence is evoked by the human body shapes and soft clothes that wrap around the solid bodies of the trees. Cobwebs "organic", gaudy guts, share and exchange the energy contained in their history of clothes worn by the energy of the lymphatic bark, up to create an extension of the branches of trees, in a sort of ideal symbiosis between the human world and the natural world, between urban life, civilized, modern and ancient presence of this cycle that repeats itself and continues seeing any change in the gender human.

Mili Romano
The camera used as a "sting relational" leading to a protracted action. The artist is creating for San Donato. Visual notes, video and photographic reconnaissance of the fruit (along with photographer Paola Binante and other artists) in the territory of San Donato, implemented from January 2007 and meetings and interviews with Alessia Benevelli for the laboratory "Glimpses of Architecture".

Monika Stemmer
Inspired by the encounter daily, especially with the female component, the observation and the direct attendance of the district, and which revealed a high proportion of elderly people who influence the types shops, social infrastructure and public space, he chooses to represent them with the monotypes. The colored drawings, the shapes of paper will make up groups of near-real-size figures placed in the streets, the building yard, the walls, the place of meeting.

Adriana Torregrossa
Ha ripensato il Container come una sorta di confessionale, di video-box, aperto a tutti, che rinvia in maniera esplicita al medium televisivo e telematico. Il suo lavoro seguirà un calendario che illustrerà luogo e modalità di partecipazione e si svilupperà in due fasi distinte: una di allestimento del set, in cui ciascun cittadino è invitato a partecipare e ad esprimersi liberamente per 60 secondi e una seconda fase, invece, finalizzata a far convogliare tutto il materiale raccolto, “le confessioni”, nella realizzazione di un video e di un booklet che riporterà le richieste, i desideri, i pensieri dei partecipanti.

Anna Rispoli / ZimmerFrei
WE ALL SHINE LIKE STARS, a "luminaria" Garavaglia via the porch, in collaboration with the inhabitants of San Donato, the markets for Charity and students Copernicus High School, which opened on December 11, visible until January 31, colors the same way by transferring heat of a domestic interior, furnished with the same care that you reserve the space more welcoming of the house. This installation site-specific but has an even larger goal which is to "draw" a line of light in close synergy with the historic center of Bologna, the Town Hall Square and the new buildings Acer Pianoro (in collaboration with the project "Heart of Stone" by Mili Romano). The intervention of Anna Rispoli Zimmerfrei, is inserted between the events of ON, LIGHTS ON AT NIGHT designed by ZimmerFrei by Anna Manincor (5 / 31 December, Piazza Verdi), contemporary art event aimed at public places in Bologna that uses light and darkness, sight and the widespread perception, the old materials and new technologies with the creation of light installations designed by different artists.

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CONTAINER

... It 's a dynamic workshop on the ground and signal "work in progress" area of \u200b\u200bproduction and circulation of public art, containers and operating during the year 2007-2008 within the project "Move your center. Quartiere San Donato. City of Cities ". Its characteristic is cross-fertilization and it is offered to the project as a liaison with the road and the various areas of the district, outside reference not only for the artists involved in the project but for all the inhabitants of its various areas and for all laboratories contribute to the project as more general research propulsive energy generators (Piazza delle Culture - Knowledge of the neighborhood - the quality of living in public buildings - Narratives - A neighborhood in transition - The green space in San Donato - New looks on architecture - The Website). All artistic interventions have been designed as an instrument approach / knowledge and starting a process of reflection and anthropological and social transformation of the metropolitan area , from its essential characteristics and its peculiarities. Their basic premise is that the artistic experience, not just as an intervention designed purely decorative or "entertainment" may emerge as a useful aid to the "transformation" owned the territory to lead the awareness of a higher quality of urban life, the first step towards the enhancement of place and sense of belonging. The artists involved in the initiative, started this journey through art projects created by prior knowledge of the urban context and social relationships with the residents and, therefore, "recognized" and shared by the community as a result of active participation . You can not define art public with a quick single formula and it's not unthinkable to subordinate the activities of urban planning as a complementary tool of [ri] classification of urban space. The new element of this project lies in its willingness to tackle a complex issue by providing their complexity and reducing it through the adoption of simplified formulas for whose sole function would be to give public account of an apparent result, and flashy, the second a costume that gives priority to the final moment of celebration and the path and permanent work in the field. > >> An on-site laboratory and a dynamic signal of "works in progress," a space of production and practice of public art, CONTAINER mobile laboratory-observatory of public art throughout the years 2007-2008 is operational around the project "Move your heart. Quartiere San Donato. City of Cities". Its characteristic is Defining Itself transversality and offers to the project as a contact with the street and the Various zones of the neighborhood, in reference to the outside not only for the artists Involved in the project to the inabitants But for all of ITS and Various Areas for all the laboratories That Will Contribute to the more general project as generators of the energy of propelling research. All of the artistic interventions have been planned as instruments of approach/knowledge and the beginning of a process of reflection and socio-anthropological transformation of the metropolis, starting with its essential qualities and its peculiarities. Their fundamental premise is that the artistic experience, no longer conceived only as a merely decorative intervention or as “entertainment,” can assert itself as a useful aid to the participatory “transformation” of the urban space: to generate the knowledge of a higher quality of urban life, the first step towards the valorization of the identity of the place and of a sense of belonging. The artists involved in the initiative, through artistic projects originating from their preliminary knowledge of the urban and social context and their interactions with the inhabitants of the neighborhood; consequently, the projects are “recognized” and shared by the community because they are the result of active participation. Public art cannot be defined with a brief and unambiguous formula, and it is certainly unthinkable to subordinate it to the activity of urban planning as a complementary instrument of (re)qualification of the urban space. The novel element of this project is its very will to confront a complicated theme, adopting its complexity and not reducing it through the adoption of simplifying formulas whose only function would be that of giving public consideration to a glaringly apparent result, according to a custom that privileges the final and celebratory moment of the path and of the permanent work in the field.